Even more than most of David Lynch’s deliberately bizarre and idiosyncratic movies, Dune is a “love-it-or-hate-it” affair. An ambitious, epic, utterly mind-boggling–and, let’s admit it, all-out weird–adaptation of Frank Herbert’s classic science fiction novel, Dune remains one of the most controversial films in the director’s exceedingly provocative career. The story (if Dune can be said to have just one story) is complex and convoluted in the epic tradition; it has something Read more…

Chris Griffin is right: when it comes to obsessive geekery and mining absurdity from the minutiae of the Star Wars universe, the comic force is stronger with Robot Chicken. But Family Guy strikes back with the second episode in its goof on the original holy trilogy. The animation is more impressive than the jokes, which are scattered all over the galaxy–the good (an Empire recruitment film), the bad (Yoda’s teachings revolve around guy-movie trivia), and the ugly (wholly gratui Read more…

Time has been kind to Flight of the Intruder, a rousing aviation-action adventure that looks better now than it did to critics who panned it in 1991. Perhaps they were expecting a Tom Clancy-ish blockbuster (producer Mace Neufeld oversaw the Jack Ryan franchise), but director John (Conan the Barbarian) Milius had something potentially more substantial in mind. The first 75 minutes are pure Milius: Macho bluster, male bonding among ill-fated pilots and Naval bombardiers, and a Bi Read more…

While Japan undergoes tumultuous transition to a more Westernized society in 1876-77, The Last Samurai gives epic sweep to an intimate story of cultures at a crossroads. In America, tormented Civil War veteran Capt. Nathan Algren (Tom Cruise) is coerced by a mercenary officer (Tony Goldwyn) to train the Japanese Emperor’s troops in the use of modern weaponry. Opposing this “progress” is a rebellion of samurai warriors, holding fast to their traditions of honor despite strategic Read more…

The best way to enjoy this 1997 thriller is to forget the much better film that inspired it (1973’s The Day of the Jackal) and get whatever kicks you can from this heavy-metal remake. It’s not bad as hokey thrillers go, but all of the original film’s suspenseful finesse has been traded in (not traded up) for bigger, bolder action and nonsensical plotting. It’s as if Hollywood had forgotten to create excitement without resorting to overblown action and heavy hardware, but there’s Read more…

You know you’re going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics’ longstanding series, Iron Man puts billionaire industrialist Tony Stark (that’s Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quit hits that precise rhythm a Read more…

At first glance, the very concept of WWII in HD seems like an oxymoron. After all, isn’t the footage from back then nothing more than grainy black-and-white newsreel? And really, how much definition can be added to film that was shot more than 60 years ago? The answers: no, and quite a lot, actually. The quality of much of what is seen in the course of these 10 episodes (each around 45 minutes long) is surprisingly good. Add to that the fact that most of it is in color (not colo Read more…

Los Angeles Daily News, October 20, 2000

“The computer maestros at Pixar Studios are working at the top of their game, but just as importantly, so are the screenwriters.”

Andy heads off to cowboy camp leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggin (owner of Al’s Toy Barn) kidnaps Woody. At Al’s apartment, Woody discovers that he is a highly valued collectible from a 1950s TV show called Read more…

Although Quentin Tarantino has cherished Enzo G. Castellari’s 1978 “macaroni” war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There’s a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol’ boy named Aldo Raine (Brad Pitt) Read more…